Begotten, Not Made explores what the words and music of the Christian Mass have to say to the 21st century, and how future generations might respond to those ideas. The New Consort has paired movements from William Byrd’s landmark Masses (honoring the 400th anniversary of his passing) with settings of texts from other faith traditions and from scientists & philosophers, including works by Shireen Abu Khader, Salamone Rossi, David Shapiro, Judith Weir, and Gregory Brown. At the heart of this program is a world premiere by Hope Littwin, a current PhD student in composition at Princeton: Stations of the Credo, a staged work exploring a core belief held by each singer of the ensemble.